Artur Brauner

CCC Kamera

The classic studio camera “Debrie Super Parvo” stems from the holdings of Artur Brauner’s production company CCC Film GmbH.

Artur Brauner (1918-2019) was one of Germany’s best-known film producers, creating popular classics of entertainment cinema with pop comedies like LIEBE, TANZ UND 1000 SCHLAGER (1955) with Caterina Valente, monumental films like DAS INDISCHE GRABMAL (1959) by Fritz Lang, and genre films like the Karl May adaptations of the 1960s. This was anything but a matter of course: Brauner came to Berlin as one of hundreds of thousands of Jewish “displaced persons” – survivors of Nazi persecution, most of whom hoped to emigrate to Palestine or the United States. Artur Brauner remained in Berlin. He built his own film studios and became one of the most important producers of German cinema. He surrounded himself with stars and became a glamorous figure himself, producing hundreds of films until his death. Today, Brauner is primarily credited for his many “films against oblivion” – but his work is marked by the contradiction between light entertainment and memory.

Artur Brauner mit Maria Schell und O.W. Fischer

Artur Brauner with Maria Schell and O.W. Fischer (Image source: DFF)

Quote from Artur Brauner

Gedächtnisprotokoll, mit handschriftlichen Kommentaren von Artur Brauner

Memorial transcript of a meeting about the plot of “Anastasia, die letzte Zarentochter”, with handwritten comments by Artur Brauner. Source: Artur Brauner Archive at the DFF – Deutsches Filminstitut & Filmmuseum

Gedächtnisprotokoll, mit handschriftlichen Kommentaren von Artur Brauner

Memorial transcript of a meeting about the plot of “Anastasia, die letzte Zarentochter”, with handwritten comments by Artur Brauner. Source: Artur Brauner Archive at the DFF – Deutsches Filminstitut & Filmmuseum

Maria Brauner beim Gloria Filmball 1955, den Artur Brauner in Protest verließ.

Maria Brauner at the Gloria Film Ball in 1955, which Artur Brauner left early protesting the invitation of Veit Harlan.